Bourais’ face must have appeared very funny to Loulou. As soon as he saw him he would begin to roar. His voice re-echoed in the yard, and the neighbours would come to the windows and begin to laugh, too; and in order that the parrot might not see him, Monsieur Bourais edged along the wall, pushed his hat over his eyes to hide his profile, and entered by the garden door, and the looks he gave the bird lacked affection. Loulou, having thrust his head into the butcher-boy’s basket, received a slap, and from that time he always tried to nip his enemy. Fabu threatened to ring his neck, although he was not cruelly inclined, notwithstanding his big whiskers and tattooings. On the contrary, he rather liked the bird, and, out of devilry, tried to teach him oaths. Felicite, whom his manner alarmed, put Loulou in the kitchen, took off his chain and let him walk all over the house. “Put it back, please, oh, put it back,” Martin pleaded. “You were too quick for me.”!

A little later, she took Loulou and holding him up to Felicite: “Poor little chap! poor little chap!”

After that I was ready to meet all comers—just the proper state of mind for a Waterloo. And it came. Its name was Tomi. He was a strapping giant of a heathen with a bad reputation. He was addicted to deeds of violence. Among other things he had beaten two of his wives to death with his fists. His father and mother had been naked cannibals. When he sat down and I put the forceps into his mouth, he was nearly as tall as I was standing up. Big men, prone to violence, very often have a streak of fat in their make-up, so I was doubtful of him. Charmian grabbed one arm and Warren grabbed the other. Then the tug of war began. The instant the forceps closed down on the tooth, his jaws closed down on the forceps. Also, both his hands flew up and gripped my pulling hand. I held on, and he held on. Charmian and Warren held on. We wrestled all about the shop. There is a familiar and strange illusion experienced by all who climb isolated mountains. The higher one climbs, the more of the earth’s surface becomes visible, and the effect of this is that the horizon seems up-hill from the observer. This illusion is especially notable on Haleakala, for the old volcano rises directly from the sea without buttresses or connecting ranges. In consequence, as fast as we climbed up the grim slope of Haleakala, still faster did Haleakala, ourselves, and all about us, sink down into the centre of what appeared a profound abyss. Everywhere, far above us, towered the horizon. The ocean sloped down from the horizon to us. The higher we climbed, the deeper did we seem to sink down, the farther above us shone the horizon, and the steeper pitched the grade up to that horizontal line where sky and ocean met. It was weird and unreal, and vagrant thoughts of Simm’s Hole and of the volcano through which Jules Verne journeyed to the centre of the earth flitted through one’s mind. On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows.